Massage of Da’wah and The Existence of Lengger Dance Culture in Wonosobo

Abstract

The Lengger dance is a traditional performing art originating from Wonosobo, Central Java. Historically, this dance was performed by a male dancer using a mask, but over time it shifted to being performed by two female dancers with distinctive costumes and makeup. This research examines the da'wah messages and cultural existence embedded in the Lengger dance, aiming to identify the religious values communicated through the performance and to understand how the dance has maintained its continuity from the past to the present. Using a qualitative approach with field study methods, the study reveals that the Lengger dance is historically linked to Sunan Kalijaga, who used the mask as a medium to convey Islamic moral teachings while concealing his identity. The dance contains messages encouraging humans to remember God in all life situations. Through the lens of Islamic communication, particularly cultural da'wah, the Lengger dance functions as a non-verbal medium that integrates symbolic movements, narrative sequences, and communal rituals. Although currently showcased in celebrations, thanksgiving events, village traditions, welcoming ceremonies, and rituals during the month of Suro, the Lengger dance continues to preserve ethical and spiritual values. The findings illustrate how traditional arts can sustain religious communication and remain relevant across generations.